Jacques Derrida
Logocentrism, violence of the archive, specters, and democracy to come · Philosophy · Critical Theory
Learning Objectives
Define deconstruction and distinguish it from mere destruction or relativism
Explain logocentrism, phonocentrism, and the metaphysics of presence
Articulate différance, the trace, iterability, and sous rature
Analyse violent hierarchy, aporia, the pharmakon, hostipitality, and archival violence
Connect specters/hauntology, the messianic without messianism, and democracy to come to Derrida’s critique of power as “responsible anarchy”
What is Deconstruction?
Jacques Derrida (1930–2004) developed deconstruction as a way of reading philosophical, literary, and legal texts that exposes the internal tensions and hierarchical oppositions on which they rely. It is not a method that one “applies” from outside; it is a careful attention to how a text already undoes its own claims to presence, unity, and authority.
Logocentrism, Phonocentrism & the Metaphysics of Presence
Western philosophy, Derrida argues, has been organised by a desire for full presence: a pure origin, a self-present meaning, a voice that coincides with itself. This desire structures what he calls the metaphysics of presence.
Différance, Trace & Iterability
These three terms name the conditions that make pure presence impossible.
Violent Hierarchy, Aporia & Sous Rature
The Pharmakon & Hostipitality
Two of Derrida’s most powerful analyses of undecidability concern the double nature of writing and of hospitality.
Specters, Hauntology & the To-Come
Responsible Anarchy & the Critique of Power
Saul Newman has described Derrida’s work as a form of “responsible anarchy.” The phrase captures a double movement that runs through the later political and ethical writings.
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